Artist Claude Céhès recently made the decision to relocate her studio from Paris to Nogent-le-Rotrou in the Perche region due to the threat of expropriation for the upcoming Olympics. This involved transporting over 300 pieces of art to her new location in the former auction house. Despite the challenges she faced in her old studio, including asbestos exposure and proximity to social miseries, the transformation of Saint-Ouen brought mixed feelings for Claude. The prospect of a vibrant and dynamic village for 17,000 athletes as part of the Olympics was an intriguing opportunity for the Perche region, and Nogent-le-Rotrou, in particular, to enhance its cultural offerings.

Claude has made arrangements for a dedicated work schedule, splitting her time between Nogent-le-Rotrou and Paris. Her upcoming gallery opening is scheduled for June 7, 2024, featuring a series of sculptures that reflect her lifelong passion for art and the human form.

Prior to her focus on sculpture, she initially pursued a degree in literature, but ultimately gravitated towards the three-dimensional aspect of art that sculpture provided. Her passion for the human body and the medical background of her father have greatly influenced her art, leading her to work with a diverse range of materials including bronze, wood, glass, and even computer cables.

Despite facing challenges in setting up her new workspace, including the need for repairs and equipment, Claude remains optimistic about the future. She is eager to resume her creative endeavors and continue contributing to the cultural landscape of her new community. This move represents a testament to the resilience and adaptability of artists in the face of urban transformation.